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Find Carolyn's Individual Books and Audios Here:
"In this invaluable (and yes, accessible and engaging, too!) resource, Carolyn Howard-Johnson masterfully elevates an oft-misunderstood practice into the critical component of writing that it is. Don’t turn in anything until you turn to this book.”~ Peter Bowerman, author, The Well-Fed Writer series "Frugal Editor is right on, engaging, and full of great information and resources." ~ Patti Kokinos, author Angel Park: A Novel.
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~~~ You will find at least one promotion, writing or tech tip on every page on this site. Sometimes you'll find, two or three! Happy browsing and collecting!
And here's the Frugal Editor's companion, Ta Da!
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From Index to Sidebars, You'll Want to Read Every Bit of the Frugal Editor Click Here to see Frugal Editor reviews. Click here to see the Frugal Editor's contents and author biography. Click here for Carolyn's first person essay, "Beating Time at Its Own Game."
Excerpt Have you ever run across a gremlin?From the Introduction of The Frugal Editor. I chose this so that readers could see that, though this book is full of nitty-gritty essentials on everything from choosing and editor to grammar horrors frequently seen by agents and editors, it's light and entertaining reading.(c) Copyright 2007Teachers interested in reproducing portions of this book at no cost need only contact me.If he were only the guy in the Lamisil ad with purple warts on his head I wouldn't worry about him. You know, the one who causes toenails to yellow, the one you try to eradicate at the risk of executing your liver. According to the commercials, that gremlin is easy to avoid. Simply ask your doctor for Lamisil. If you imagine the
gremlin as the guy you had nightmares about when you were a kid, the one
who hid under your bed and But no. He is the dirty, lowdown creep who will make the passive tense reappear in your manuscript after you've edited it twice, maybe three times. And he has relatives. Enough of them to plague every writer in existence. You won't be able to see them, won't know where they come from, but you'll know they have been at work when your book appears in print. Telltale signs will crop up in typos, grammar errors, widows , and other ugly formatting problems, and so I worry about them a lot. You should, too. We writers believe the stories because it's convenient to think that magical personages hired by publishers make books come off the press in immaculate form. Perfect. Pristine. That can happen, but I've come upon an occasional typo in books that are published by revered names in our industry. Worse, a few exist in my own books--more in some than in others. Some showed up before I knew I had to take charge of my own books' destinies. Some showed up after I knew that, but didn't know much about my part in editing . So, you can trust my hard-won experience when I tell you it behooves an author to do the very best she can--on her own--to eradicate the gremlins' work. If these guys get one up on Random House and Farrar, Straus & Giroux, other publishers and authors are easy touches. So, how to do what seems to elude the best and brightest of word warriors? That's what I'm here for. I can't possibly cover all the possible tracks that gremlins leave, but I can pass along antidotes for what I see most frequently in the critique groups I facilitate and the classes I teach. Some of this information will seem pretty basic, but you need to know the gremlin's secret. His motto is, "When authors and editors are looking for the big stuff, I'll diddle with the puny mistakes they're not likely to see." Of course, this guy is devious. He's not above going after more humiliating errors like using apostrophes in plurals. He knows your weak moments, your tired moments. This book isn't only about what to watch for. It's also about how to make the editing process easier. You’ll find lots of information; some that you will refer to time and again is in the sidebars. The sidebars are not listed in the Contents. Mark them by creasing your page corners (you can tell I believe in making a book your own) or use your index. You'll also learn both manual and electronic techniques for digging errors out of your copy and keeping them out. The most important part of the process is getting over the idea that someone else will do this for you or that it doesn't matter. It matters big. When you submit queries to agents. When you submit proposals to publishers. When your publisher submits a galley for you to examine and authorize. So bear with me. Make the guidelines in this book part of your working habits. You'll need several tricks up your own sleeve to keep all the gremlins at bay. The Frugal Editor is complete with a helpful index and appendixes.
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Copyright ©2006 Carolyn Howard-Johnson
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